
Personal info
Known for
Cinematographer
Gender
Male
Birthday
28 November
Location
New York, United States
Edit pageArthur J. Ornitz
Biography
Arthur J. Ornitz was an accomplished American cinematographer known for his work in independent and Hollywood films during the mid-20th century. Born in New York City, he was the son of screenwriter and playwright Samuel Ornitz, one of the Hollywood Ten—screenwriters who were blacklisted for refusing to testify before the House Un-American Activities Committee during the anti-Communist investigations of the 1940s and 1950s.
Arthur studied film at the University of Southern California and began working in cinematography in the 1940s. His early career was shaped by the socially conscious ethos of his upbringing, which later influenced the type of films he chose to work on.
Career
Arthur J. Ornitz began his professional career in documentary and short films before moving into feature filmmaking. His cinematography was known for its gritty realism, naturalistic lighting, and ability to enhance the emotional tone of a story.
He gained prominence in the 1960s and 1970s for his work on both independent and studio projects. Some of his most notable films include:
The Boys in the Band (1970) – A landmark film in LGBTQ cinema directed by William Friedkin.
Serpico (1973) – Directed by Sidney Lumet and starring Al Pacino, this crime drama highlighted Ornitz’s talent for capturing urban realism.
Death Wish (1974) – The Charles Bronson vigilante thriller, where Ornitz’s camera work helped set the film’s grim and intense mood.
Next Stop, Greenwich Village (1976) – A semi-autobiographical film by Paul Mazursky, notable for its period-accurate visuals and intimate cinematography.
Ornitz was highly regarded for his ability to adapt to different genres, from dramas and thrillers to social issue films, all while maintaining a distinctive, understated visual style.
Legacy
Arthur J. Ornitz is remembered as a versatile and intelligent cinematographer whose work contributed significantly to the visual language of American cinema in the 20th century. Though he never received major industry awards during his lifetime, his influence is evident in the work of later cinematographers who admired his naturalistic style and emotional subtlety.
He is also remembered as the father of actor David Ornitz and part of a creative family legacy that spanned writing, acting, and filmmaking.