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Personal info
Known for
Ultimate Talent
Gender
Female
Birthday
22 February
Location
Maine, United States
Edit pageEdna St. Vincent Millay
Biography
Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was one of the most celebrated poets of the 20th century, known for her lyrical poetry, mastery of the sonnet form, and her impassioned voice for social justice and women's rights.
Born in Rockland, Maine, she was the eldest of three daughters of Henry Tollman Millay, a schoolteacher, and Cora Buzzell Millay, a nurse. Her parents' separation when Edna was young left a profound impact, but it was her mother’s encouragement of her literary talents that shaped her future.
Millay, affectionately known as "Vincent" to family and friends, grew up in modest circumstances. Her upbringing in Camden, Maine, amidst the picturesque New England landscapes, would later inspire much of her poetry. Her literary journey began early, and she achieved national acclaim at just 19 when her poem Renascence was published in a prestigious anthology.
Education
Millay attended Vassar College, where she continued to cultivate her poetic talents while embracing her individuality and feminist beliefs. She graduated in 1917 and moved to New York City, where she quickly became immersed in the vibrant Greenwich Village artistic scene.
Career
Groundbreaking achievements and bold explorations of themes such as love, nature, freedom, and mortality marked Millay's literary career. She is best remembered for her sonnets and free verse that captured both personal intimacy and universal truths.
Early Success: The publication of her first poetry collection, Renascence and Other Poems (1917) cemented her reputation as a rising literary star. Renascence's title poem showcased her mastery of rhythm, vivid imagery, and emotional depth.
Pulitzer Prize Win: In 1923, Millay became the first woman to win the Pulitzer Prize for Poetry for her collection The Harp-Weaver and Other Poems. This marked a historic moment in American letters and underscored her impact on the literary world.
Playwriting: Beyond poetry, Millay also ventured into drama. She wrote plays such as Aria da Capo (1919), a one-act allegorical work that critiques war and societal greed, and The King's Henchman (1927), an opera libretto.
Political Activism: Millay was a staunch advocate for social justice, feminism, and pacifism. She used her poetic voice to champion causes such as women's suffrage and opposition to war, becoming an influential figure in progressive circles.
Later Works: As she matured, Millay's poetry grew more introspective, grappling with themes of loss and existential reflection. Notable later works include Fatal Interview (1931), a sonnet sequence exploring love and betrayal, and Wine from These Grapes (1934), which reflects her increasing preoccupation with mortality.
Personal Life
In 1923, Millay married Eugen Jan Boissevain, a Dutch coffee importer who supported her artistic career wholeheartedly. The couple lived at Steepletop, a farm in Austerlitz, New York, which became Millay's sanctuary and creative haven. Their marriage was marked by mutual respect and shared ideals, although it was unconventional by the standards of the time.
Despite her public success, Millay faced personal struggles, including health issues and addiction to morphine later in life. These challenges were compounded by the physical and emotional toll of her prolific output and intense involvement in sociopolitical causes.
Death and Legacy
Edna St. Vincent Millay died on October 19, 1950, at Steepletop from a heart attack. Her contributions to literature have endured, influencing generations of poets and readers. Known for her charismatic persona and fearless expression, Millay is celebrated not only for her technical brilliance but also for her ability to connect deeply with the human experience.
Major Themes in Her Work
Love and Passion: Many of Millay's poems explore the complexities of love, from its ecstatic heights to its devastating betrayals.
Nature: Her New England upbringing profoundly influenced her imagery, with lush depictions of landscapes and seasons recurring throughout her work.
Feminism and Independence: Millay's poetry often celebrates personal freedom and challenges traditional gender roles, embodying the ideals of the early feminist movement.
Mortality and Time: A recurring theme in her later poetry, reflecting her introspective grappling with life’s transience.
Recognition and Influence
Millay's contributions to American poetry earned her widespread acclaim, and her works remain part of academic curricula worldwide. She broke barriers for female poets, proving that women could achieve both artistic excellence and public recognition. Today, Steepletop is preserved as a historic site, where fans can explore her life and legacy.
Notable Works
Renascence and Other Poems (1917)
A Few Figs from Thistles (1920)
The Harp-Weaver and Other Poems (1923)
Fatal Interview (1931)
Collected Lyrics (1943)
Edna St. Vincent Millay's voice resonates through time, offering a powerful testament to the enduring impact of poetry as both art and activism.
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