Personal info
Known for
Editor
Gender
Male
Birthday
26 June
Location
England, United Kingdom
Edit pageJake Roberts
Biography
Jake Roberts is an English film editor recognized for his exceptional ability to craft narrative and visual storytelling through the editing process. While specific details about his early life and education are not widely documented, Roberts' rise in the film industry highlights his natural talent and dedication to his craft.
Career
Early Work and Rise in the Industry
Jake Roberts began his career editing a range of independent films. His early work demonstrated a keen understanding of pacing and narrative structure, setting the stage for his future success. His early credits include the 2012 film Citadel, a psychological horror thriller, where Roberts’ editing was essential in maintaining the film's tense atmosphere and psychological complexity.
Breakthrough Success with Starred Up and The Riot Club
Roberts continued to build his reputation with the films Starred Up (2013) and The Riot Club (2014). Starred Up, a gritty drama about a young offender in a high-security prison, required precise editing to maintain its raw and intense atmosphere, a challenge that Roberts successfully met. Similarly, The Riot Club (2014), a drama about the dark side of elite British society, benefited from Roberts' skill in creating pacing that effectively reflected the story's tension and satire.
Brooklyn and Critical Acclaim
In 2015, Roberts worked on the highly acclaimed film Brooklyn, directed by John Crowley. The film, about an Irish immigrant navigating her new life in 1950s Brooklyn, received widespread praise for its delicate balance of emotion and storytelling. Roberts’ editing played a crucial role in allowing the film to flow seamlessly between moments of warmth and heartache, contributing significantly to its Academy Award nomination for Best Picture.
Hell or High Water and Recognition
Jake Roberts’ career reached a new height with his work on Hell or High Water (2016), a modern Western crime drama directed by David Mackenzie. The film was widely praised for its storytelling, direction, and editing, with Roberts being nominated for several honors, including an Independent Spirit Award and the prestigious Academy Award for Best Film Editing at the 89th Academy Awards. The nomination highlighted Roberts' ability to enhance the film’s gripping narrative through his precise and purposeful editing.