Personal info
Known for
Cinematographer
Gender
Male
Birthday
Location
Brussels-Capital, Belgium
Edit pageMarc Koninckx
Biography
Marc Koninckx is a renowned Belgian cinematographer with a career spanning several decades and multiple international film industries. Born in Brussels, he studied cinema at the Royal Institute for Theatre, Cinema and Sound (R.I.T.C.S.), graduating in 1983. He began his career as a camera and Steadicam operator, gaining experience on major films and working with acclaimed directors.
Early Career
Koninckx’s early work included operating a camera and Steadicam on films such as Au revoir les enfants, The Jewel of the Nile, Les Nuits Fauves, Merci la vie, Frantic, Queen Margot, and Lucie Aubrac. These experiences helped him develop technical expertise and a strong visual sensibility.
Transition to Director of Photography
In 1993, Koninckx became a second unit director of photography on films like Stealing Beauty, A Far Off Place, French Kiss, and The Ninth Gate. By 1998, he transitioned to first unit cinematography, taking on the role of principal director of photography for feature films.
Notable Works
Koninckx has been recognized for his work on a variety of films, including:
Johnny Mad Dog (2008), which won the Prize of Hope at the Cannes Film Festival.
The Day God Walked Away (2009), winner of the Kutxa Prize at the San Sebastian International Film Festival.
Rebellion (2010), for which he was nominated for Best Light – Prix Lumière CST.
Zabana! (2012), nominated as a Foreign Film for Academy Awards consideration.
Maryan (2013), praised for its stunning desert and underwater cinematography, earned him a Vijay Awards nomination.
Rock On 2 (2016) showcases his versatility in Indian cinema.
Demain, si tout va bien (2025) is a Belgian fiction film reflecting his ongoing contribution to contemporary cinema.
Style and Impact
Koninckx is known for expressive, adaptable cinematography that ranges from gritty realism to sweeping international narratives. His work demonstrates technical mastery and a global cinematic perspective. As a member of both the French Society of Cinematographers (A.F.C.) and the Society of Belgian Cinematographers (S.B.C.), he has influenced modern cinematography and mentored emerging talents.