Personal info
Known for
Music Director
Gender
Male
Birthday
22 March
Location
Lower Saxony, Germany
Edit pageMax Richter
Biography
Max Richter is a renowned British composer, pianist, and producer celebrated for his innovative contributions to contemporary classical music. Born on 3 March 1966 in Hamelin, West Germany, Richter grew up in England, where he developed a deep interest in music and composition. His work spans classical music, film scores, opera, and multimedia installations, blending traditional orchestration with electronic elements.
Early Life and Education
Richter studied composition at the University of Edinburgh, where he focused on classical music, and later at the Royal Academy of Music in London. He also studied under the guidance of Luciano Berio in Italy, which influenced his experimental approach to blending classical and electronic sounds. His early exposure to both traditional composition and modern electronic music shaped his signature style, characterized by emotional depth and minimalistic patterns.
Career Highlights
Max Richter has composed for both concert halls and screen media, gaining recognition for his ability to create evocative and cinematic soundscapes. Some of his most notable works include:
Albums and Compositions:
Memoryhouse (2002) – Richter’s debut album, exploring themes of memory and place through orchestral and electronic textures.
The Blue Notebooks (2004) – A critically acclaimed album blending spoken word, string arrangements, and electronic textures, often cited as a landmark in modern classical music.
Sleep (2015) – An eight-hour-long work designed to accompany sleep, combining minimalism and gentle orchestration, hailed as an ambitious experiment in immersive music.
Film and Television Scores:
Waltz with Bashir (2008) – An animated documentary for which Richter’s music earned international acclaim.
Shutter Island (2010) and Arrival (2016) – His film scores contributed significantly to the emotional and atmospheric tone of these films.
The Leftovers (2014–2017) – Richter’s hauntingly beautiful compositions for this television series were widely praised and became an integral part of the show’s identity.