Personal info
Known for
Music Director
Gender
Male
Birthday
Location
England, United Kingdom
Edit pageRob Lane
Biography
Rob Lane is a highly acclaimed British composer recognized for his evocative and versatile musical scores in film and television. His work spans a wide array of genres, from grand historical epics to gripping modern thrillers.
Biography and Training
Born in London in 1965, Rob Lane developed his musical expertise at the prestigious National Film & Television School in Beaconsfield, specializing in film composition. This formal training provided the foundation for a prolific career defined by a remarkable ear for melody and skilled orchestral writing.
Career and Notable Scores
Lane is one of the most sought-after composers working today, primarily in UK television. His ability to capture the atmosphere of diverse narratives has made his music a staple of premium drama.
Historical and Period Drama: He is widely celebrated for his contributions to historical and literary adaptations. His credits include:
Elizabeth I (starring Helen Mirren)
Jane Eyre
Daniel Deronda
Longford
Charles II
Tess of the D'Urbervilles
Fantasy and Adventure: Lane composed the iconic and much-loved music for the popular fantasy adventure series Merlin, with a suite from his score even being performed at the Proms In the Park concert. He also composed for A Discovery of Witches and the epic warrior drama Beowulf.
Contemporary and Thriller: Demonstrating his versatility, Lane has successfully scored modern works, including the political thriller series COBRA and the acclaimed BBC drama The A Word, showcasing an innovative use of electronica and a more minimalist style for psychological thrillers like The Last Weekend.
International Collaborations: His career also includes major international projects, such as the score for the HBO mini-series John Adams and the film Red Dust, for which he collaborated with the South African Broadcasting Corporation Choir.
Awards and Recognition
Lane is a multi-award-winning composer, a testament to his consistent high quality. His accolades include:
A BAFTA Award for Best Original Television Music for his score to Elizabeth I (2006).
Multiple Ivor Novello Awards and Royal Television Society (RTS) Awards.
Several Primetime Emmy Award nominations for his work on projects like John Adams and Longford.